Patton is a riveting portrait of one of the 20th century's greatest military geniuses. One of it's Oscars went to George Patton, the only Allied general truly feared by the Nazis. Charismatic and Flamboyant, Patton designed his own uniforms, sported ivory-handled six-shooters, and believed he was a warrior in past lives. He outmanuevered Rommel in Africa, and after D-Day led his troops in an unstoppable campaign across Europe. But he was rebellious as well insight and poignancy, his own volatile personailty was one enemy he could never defeat.
Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
On the eve of D-Day, a group of American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success. But as they approach their target, they begin to realize there is more going on in this Nazi-occupied village than a simple military operation.
In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award winner Cate Blanchett star in THE HOUSE WITH A CLOCK IN ITS WALLS, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town's sleepy faade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead.
Raised in a poverty-stricken slum, a 16-year-old girl named Starr now attends a suburban prep school. After she witnesses a police officer shoot her unarmed best friend, she's torn between her two very different worlds as she tries to speak her truth.
Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.
Based on the best-selling pair of memoirs from father and son David (Carell) and Nic Sheff (Chalamet), BEAUTIFUL BOY chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.
A HEAD FULL OF DREAMS offers an in-depth and intimate portrait of the band's spectacular rise from the backrooms of Camden pubs to selling out stadiums across the planet. At the heart of the story is the band's unshakeable brotherhood which has endured through many highs and lows. The film is directed by Mat Whitecross - director of Supersonic, the acclaimed 2016 Oasis documentary - who met the four friends at college in London, before they'd even formed the band. From the very first rehearsal in a cramped student bedroom, Whitecross has been there to capture the music and the relationships on tape. Using extensive unseen archive, behind-the-scenes and live footage, A HEAD FULL OF DREAMS sees the band reflect upon their two decades together. It was filmed during Coldplay's record-breaking A Head Full Of Dreams Tour, which was certified as the third biggest tour of all time, playing to more than 5.5 million fans across the world.
A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They've secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon's toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Not to be confused with the 2014 short film with the same name by the same directors.
A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing.